Graycliff is located in New York
Nearest city Derby, New York
Built 1926
Architect Frank Lloyd Wright
Architectural style Prairie School
Governing body The Graycliff Conservancy, Inc.
NRHP Reference # 98001222 [1]
Added to NRHP October 1, 1998

The Graycliff estate was designed by Frank Lloyd Wright (1867–1959) and was built between 1926 and 1931. It is located about 20 minutes south of downtown Buffalo, New York, at 6472 Old Lake Shore Road in Derby, New York. Sometimes called "The Jewel on the Lake", Graycliff is sited on a bluff overlooking Lake Erie with sweeping views of downtown Buffalo and the Canadian shore.

Graycliff is one of the most ambitious and extensive summer estates Wright ever designed.[2]


  • History 1
  • Design 2
  • Restoration 3
  • Gallery 4
  • Other buildings by Frank Lloyd Wright in the Buffalo area 5
  • See also 6
  • References 7
  • External links 8


The Graycliff estate was the summer home of Isabelle R. Martin (1869–1945) and her husband, Buffalo entrepreneur Darwin D. Martin (1865–1935). Graycliff was the second of two complexes Frank Lloyd Wright designed for the couple, the first being the Martin House Complex, their city residence. By the time of Graycliff’s commission, Wright and the Martins had been personal friends as well as clients for over twenty years. Between the time of the completion of the Martin House Complex and the construction of Graycliff grew a great long-term friendship, to the extent that the Martins provided financial assistance[3] and other support[4][5] to Wright as his career unfolded.

In the early years of their long relationship, Darwin Martin was actively involved with the selection of Frank Lloyd Wright as the architect for the Larkin Administration Building, Wright's first major commercial project. Martin was an executive with the Larkin Company, and Wright also designed houses in Buffalo for fellow Larkin Company executives William R. Heath and Walter V. Davidson.

Isabelle R. Martin was the client of record for Graycliff, and it was designed by Wright for her pleasure.[6][7]

Graycliff is one of only five of Frank Lloyd Wright’s designs that were built between 1925 and 1935,[4] and the only Wright designed structure built between Taliesin (1914) and Fallingwater (1936) using stone. Wright believed stone to be the only true building material and may be why he insisted the Martins incorporate it at Graycliff. Graycliff is considered to be one of Wright's most important mid-career works in his Organic Style.


Graycliff is a complex of three buildings integrated within an 8.5-acre (34,000 m2) landscape. It is sited high on a bluff with views of

  • Graycliff official site, member of the Great Lakes Seaway Trail
  • Filling Station
  • Information about Buffalo's architecture: Wright Now in Buffalo
  • Podcast of remarks about Buffalo architecture by Dr. Neil Levine, author of The Architecture of Frank Lloyd Wright, and Emmet Blakeney Gleason, Professor of History of Art and Architecture at Harvard University.

External links

  1. ^ a b "National Register Information System". National Register of Historic Places.  
  2. ^ a b c d e Arlene Sanderson & Jack Quinan, Wright Sites, pp.84-85, Princeton Architectural Press; 2001
  3. ^ Robert M. Craig, Bernard Maybeck at Principia College, p.478, Gibbs Smith; 2004
  4. ^ a b c Jack Quinan, Frank Lloyd Wright's Martin House, p.216, Princeton Architectural Press; 2004
  5. ^ Caroline Knight, Frank Lloyd Wright, p. 124, Parragon; 2004.
  6. ^ Brendan Gill, Many Masks, p.320, Da Capo Press; 1998
  7. ^ a b c d e
  8. ^ William A Storrer, The Architecture of Frank Lloyd Wright, p.230, University of Chicago Press; 2002
  9. ^ a b c "Graycliff - Wright on the Lake". Retrieved 2012-08-15. 
  10. ^
  11. ^ "Graycliff - Wright on the Lake". Retrieved 2012-08-15. 


See also

Other buildings by Frank Lloyd Wright in the Buffalo area


The Graycliff Conservancy is the recipient of a Save America’s Treasures grant from the US Department of the Interior, and has received many awards for its work. Graycliff is now a New York State Landmark and is listed on the National Register of Historic Places.[1]

Soon after, a grassroots group of individuals purchased the property, which was threatened with destruction due to its prime lakeside location and attractiveness to private developers. The group formed the non-profit Graycliff Conservancy in order to buy the property, restore it to its original condition, and open it to the public. This effort, aided by volunteers from throughout the community, has undertaken extensive restoration,[10] both to remove the non-Wright additions and to restore the now eighty-year-old buildings, and has created a schedule of public tours.[11]

The property was purchased from the Martin family by the Piarists, a Roman Catholic teaching order, in 1951.[9] The Piarist Fathers, from Hungary, established a boarding school on the grounds, as well as Calasanctius, a private high school for gifted children in Buffalo, named after the order's founder. Although they added two structures to Wright’s original design, all Wright-designed buildings were left intact. Eventually enrollment dwindled and the schools closed; the number of priests in residence also declined dramatically. Finally in late 1997, the Piarists decided they could no longer afford to maintain the property, and put it up for sale.[9]

Although the family lost much of its fortune due to the Great Depression[4] and was forced to abandon the city house in 1937, they kept Graycliff, and returned annually until 1943.


The extensive 8.5 acres (34,000 m2) of grounds and gardens were also designed by Frank Lloyd Wright, with one of the few, if not only, landscape designs in his own hand. These include a tennis court designed by Wright, as well as trees and shrubs designed to complement the architecture. Additional significant design-work was done by Ellen Biddle Shipman, one of the early and renowned women landscape architects, and one of the creators of the Arts & Crafts and American Craftsman style landscape design, supplemented those of Wright with colorful flowers and a picking garden.

Garden walls, composed of the same stone and stucco as the Foster and Martin Houses, enhance the horizontal planes of the architecture.[7] The gardens and grounds feature water elements designed by Wright, including a porte cochere that extends from Martin House, cantilevering beyond its stone pier supports over a stone basin from which water flows into a large irregularly shaped pool. This was intended to create an illusion of the lake flowing through the house. On the west side, a broad esplanade connects the terrace to the cliff and lake. The esplanade was designed to carry water, pumped from Lake Erie, down its length and over the bluffs, completing the illusion of water flowing through. Deemed financially extravagant this feature was halted after only the esplanade itself was completed.[2] Other architectural features of the landscape include a sunken garden, a hidden garden, and stone walls in a “waterfall” pattern. Not surprisingly, it was Darwin Martin who first introduced Wright to Niagara Falls, less than forty miles to the north.

The smallest building of the complex is known as the Heat Hut.[2] Like the other two buildings, it is constructed of stone found at the lake’s edge, ochre stucco, and a red cedar shingle roof.[9]


The Foster House[7] was originally designed as a garage[8] with an apartment above for the chauffeur and his family.[2] In 1929 the Martins owned a Pierce-Arrow touring car as well as a Detroit Electric car. After their first summer in residence, the Martins asked Wright to alter and expand the building. Once complete, the Martin’s daughter Dorothy, together with her husband James Foster and their children Margaret and Darwin Martin Foster, spent many happy summers in residence.[2] Like the Martin House, the Foster House has strong horizontal lines echoing the lake beyond, cantilevered balconies, and numerous windows.

The Foster House.

The largest building, the Isabelle R. Martin House, is perhaps most remarkable for its two stone veneered sections framing a central pavilion-like center of transparent glass walls, allowing visitors to actually see through the building itself to the lake beyond, revolutionary for a 1926 design. It also features spacious cantilevered balconies, expansive terraces, and “ribbons” of windows that allow the experience of nature from within and through the house.[7] On especially clear days the spray of Niagara Falls is visible through the framed opening created by the cantilevered upper bridge and the stone veneered massing at each end of the home.

are set amidst extensive grounds and gardens also designed by Wright. [7]