Nocturne painting is a term coined by James Abbott McNeill Whistler to describe a painting style that depicts scenes evocative of the night or subjects as they appear in a veil of light, in twilight, or in the absence of direct light. In a broader usage, the term has come to refer to any painting of a night scene, or night-piece, such as Rembrandt's The Night Watch.
Whistler used the term within the title of his works to represent paintings with a "dreamy, pensive mood" by applying a musical name. He also titled (and retitled) works using other terms associated with music, such as a "symphony", "harmony", "study" or "arrangement", to emphasize the tonal qualities and the composition and to de-emphasize the narrative content. The use of the term "nocturne" can be associated with the Tonalism movement of the American of the late 19th century and early 20th century which is "characterized by soft, diffused light, muted tones and hazy outlined objects, all of which imbue the works with a strong sense of mood." Along with winter scenes, nocturnes were a common Tonalist theme.Frederic Remington used the term as well for his nocturne scenes of the American Old West.
- 1 Rembrandt’s nocturnes
- 2 Frederic Remington’s nocturnes
- 3 Night scenes by American Impressionists and other American Realists
- 4 Night scenes by artists of other movements
- 5 See also
- 6 References
- 7 Further reading
In northern Europe, the Dutch Golden Age produced one of the greatest artists of all time. The first artist to paint scenes on a regular basis in the nocturne mode was Rembrandt van Rijn (1606–1669). Many of his portraits were also painted using a nocturne method. As in The Mill (1645), most of his landscapes were painted to evoke a sense of the nocturne, which could be expressed in either a calm or stormy manner.
Night scenes by Rembrandt
Christ In The Storm On The Sea Of Galilee, 1633, depicts a nocturne scene evoking a sense of danger
Christ and the Woman of Samaria, 1659,
Nocturnes by James Abbott McNeill Whistler
“Nocturne” was a term that was normally applied to certain types of musical compositions before James Abbott McNeill Whistler (1834–1903), inspired by the language of music, began using the word within the titles of many of his works, such as Nocture in Blue and Silver (1871), in the collection of the Tate Gallery, London, United Kingdom.
Nocturne in Blue and Gold: Valparaiso Bay, 1866
Nocturne in Gray and Gold, Westminster Bridge, c. 1871-1874
Nocturne Trafalgar Square Chelsea Snow, 1876
Nocturne in Pink and Grey, Portrait of Lady Meux, 1881-1882
Frederic Remington’s nocturnes
Nocturnes by Frederic Remington
The paintings pictured in the gallery below are in order of date completed, left to right:
Pretty Mother of the Night—White Otter is No Longer a Boy c. 1900, private collection
Night scenes by American Impressionists and other American Realists
- Worcester Art Museum, Worcester, Massachusetts
- John Henry Twachtman (1853-1902), Canal Venice c. 1878, private collection
- John Henry Twachtman (1853–1902), L'Etang c. 1884, private collection
- Cleveland Museum of Art, Ohio
- Frank Tenney Johnson (1874-1939), Rough Riding Rancheros c. 1933
- Edward Hopper (1882-1967), Nighthawks, 1942, Art Institute of Chicago, Chicago, Illinois
Night scenes by American Impressionists and American Realists
Childe Hassam, Winter, Midnight, 1894
Night scenes by artists of other movements
Other artists who also created nocturne scenes are:
- (circa 1660)]
- Jacob van Ruisdael, (circa 1665)
- Augustus Leopold Egg (1816–1863), Past and Present Number Three (circa 1853)]
- John LaFarge (1835-1920), The Lady of Shalott (1862)
- Vincent van Gogh (1853-1890), Starry Night Over the Rhone (1888)
- Artists who have used the term for a series of their works
- Night in paintings (Eastern art)
- Holden, Donald. Whistler: Landscapes and Seascapes. Lakewood, New Jersey: Watson-Guptill Publications, 1984.
- Anderson, Nancy with Alexander Nemerov and William Sharpe. Frederic Remington: The Color of Night. Washington, D.C.: National Gallery of Art, 2003.
- Sharpe, William C. New York Nocturne: The City After Dark In Literature, Painting, and Photography, 1850-1950. Princeton, New Jersey: Princeton University Press, 2008.
- Simpson, Marc and others. Like Breath on Glass: Whistler, Inness, and the Art of Painting Softly. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute, 2008 (printed by Yale University Press).