Phantom of the Opera (1943 film)

Phantom of the Opera (1943 film)

Phantom of the Opera
Theatrical re-release poster
Directed by Arthur Lubin
Produced by George Waggner
Written by Gaston Leroux (novel)
John Jacoby (adaptation)
Samuel Hoffenstein (screenplay)
Eric Taylor (screenplay)
Hans Jacoby (screenplay)
Based on The Phantom of the Opera 
by Gaston Leroux
Starring Nelson Eddy
Susanna Foster
Claude Rains
Edgar Barrier
Leo Carrillo
Jane Farrar
J. Edward Bromberg
Fritz Feld
Hume Cronyn
Music by Edward Ward
Cinematography W. Howard Greene
Hal Mohr
Edited by Russell F. Schoengarth
Distributed by Universal Pictures
Release dates
  • August 27, 1943 (1943-08-27)
Running time
92 minutes
Country United States
Language English
Budget $1,750,000[1]
Box office 2,316,416 admissions (France, 1945)[2]

Phantom of the Opera is a 1943 Universal musical horror film starring Nelson Eddy, Susanna Foster and Claude Rains, directed by Arthur Lubin, and filmed in Technicolor. The original music score was composed by Edward Ward, loosely based on the novel The Phantom of the Opera by Gaston Leroux. The movie is a remake of the 1925 film starring Lon Chaney.

The auditorium set, a replica of the Opéra Garnier interior, created for the 1925 film The Phantom of the Opera was reused. Other than the sets, this remake had little in common with the earlier film. The original storyline was completely revised and there was no attempt to film the masked ball sequence, although the famous falling of the chandelier was re-enacted on an epic scale, using elaborate camera set-ups. The cinematographers were Hal Mohr and W. Howard Greene. It is also the only Universal Monster movie to win an Oscar. Rains's portrayal of the Phantom, although overshadowed by Chaney's Phantom, is now considered to be one of the main Universal Monsters and is often listed with the likes of Dracula, Frankenstein's Monster, The Mummy, The Invisible Man, The Bride of Frankenstein, The Wolf Man and Gill Man. The film included choreography by Lester Horton.


  • Plot 1
  • Cast 2
  • Production 3
  • Score 4
  • Cancelled sequel 5
  • Awards 6
  • References 7
  • External links 8


Erique Claudin (etchings he was working on.

Finally giving up, Claudin stands there for a moment and hangs his head sadly. Someone begins to play music in the next room, and he looks up in shock when he hears it. It is his concerto that is merely being endorsed and praised by mask from the costume department to cover his now-disfigured face and becomes obsessed with Christine.

Claude Rains as Erique Claudin, the Phantom, with Susanna Foster as Christine DuBois in Universal's 1943 version of Phantom of the Opera.

Meanwhile, Inspector Raoul Dubert (

Later, Anatole and Raoul demand that Christine finally chooses between the two men. She surprises them by choosing to marry neither one of them and pursue her singing career, because she now understands how much Claudin loved her and how much he was devoted to her singing career. She leaves the room and joins her adoring fans outside. The film ends with Anatole and Raoul go off to commiserate together.



Broderick Crawford was considered for role of Claudin, the Phantom, before it was given to Rains. A subplot which made Rains's character Christine's father was jettisoned because it gave the romantic elements of their relationship incestuous overtones.[3] During the same year that the film was released, Phantom of the Opera was adapted into an audio presentation for the Lux Radio Theater. Nelson Eddy, Susanna Foster and Edgar Barrier reprised their roles, but instead of Claude Rains, Basil Rathbone played Erique Claudin. This presentation was produced and hosted by Cecil B. DeMille.


Stage 28, also known as The Phantom of the Opera Stage, was originally built for the 1925 film, and reused in the 1943 version.

Edward Ward wrote the score. The film has many elements of a musical, with lengthy opera sequences, and has been criticized for being more musical than horrific. For the opera sequences, Ward adapted music from Tchaikovsky's Symphony No. 4 as well as using themes by Chopin. He also composed an original theme, Lullaby of the Bells, which was heard in the film as the Phantom's piano concerto. Rotten Tomatoes gave to this version of Phantom of the Opera an average score of 72%, based on 18 reviews from critics.[4]

Cancelled sequel

Following the success of Phantom of the Opera, Universal announced that a sequel would be made, titled The Climax.[3] Nelson Eddy and Susanna Foster were to return, along with Claude Rains as the Phantom, most likely meaning that his character did indeed survive the cave in at the finale of the first film; indeed, in the final shot of the mask and violin atop the rubble, there is a sound of moving rock. The sequel, however, was later cancelled due to story troubles and problems concerning the availability of Claude Rains. The Climax was indeed released the year after Phantom of the Opera, but it was not a continuation of the previous film and featured completely new characters.


The film was nominated for four Academy Awards, winning in two categories:[5]


  1. ^ Michael Brunas, John Brunas & Tom Weaver, Universal Horrors: The Studios Classic Films, 1931-46, McFarland, 1990 p361
  2. ^ French box office in 1945 at Box office story
  3. ^ a b Scott McQueen, audio-commentary on Phantom of the Opera DVD (Universal)
  4. ^ Rotten Tomatoes: Phantom of the Opera (1943)
  5. ^ "The 16th Academy Awards (1944) Nominees and Winners". Retrieved 2011-08-14. 

External links