The Girl from Ipanema
|"The Girl from Ipanema"|
|Single by Stan Getz and João Gilberto|
|from the album Getz/Gilberto|
|Released||25 July 1964|
|Problems playing this file? See .|
"Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinicius de Moraes. English lyrics were written later by Norman Gimbel.
The first commercial recording was in 1962, by Pery Ribeiro. The 1964 single featuring Astrud Gilberto and Stan Getz, shortened from the version on the 1963 album Getz/Gilberto (which also included the Portuguese lyrics sung by Joao Gilberto), became an international hit. In the US, it peaked at number five on the Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world. Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.
- History 1
- Legal disputes 2
- The Boy from Ipanema 3
- See also 4
- References 5
- External links 6
The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinícius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.
During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song.
The song was inspired by Heloísa Eneida Menezes Paes Pinto (now Helô Pinheiro), a nineteen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.
In Revelação: a verdadeira Garota de Ipanema (Revealed: The Real Girl from Ipanema) Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."
In 2001, the song's copyright owners (heirs of their composer fathers) sued Pinheiro for using the title of the song as the name of her boutique (Garota de Ipanema). In their complaint, they stated that her status as The Girl from Ipanema (Garota de Ipanema) does not entitle her to use a name that legally belongs to them. Public support was strongly in favor of Pinheiro. A press release by Jobim and Moraes, the composers, in which they had named Pinheiro as the real Girl from Ipanema (Garota de Ipanema) was evidence that they had intended to bestow this title on her. The court ruled in favor of Pinheiro.
as the result of the huge success of the 1964 recording, and her frequent subsequent performances of "Ipanema," she has become known as The Girl from Ipanema and is identified by the public with the 1964 recording. She claims as a result to have earned trademark rights in the 1964 recording, which she contends the public recognizes as a mark designating her as a singer. She contends, therefore, that Frito-Lay could not lawfully use the 1964 recording in an advertisement for its chips without her permission.
In Oliveria v. Frito-Lay Inc. (2001), her claims were rejected by the United States Court of Appeals for the Second Circuit.
The Boy from Ipanema
Ella Fitzgerald's version of "The Girl from Ipanema" using a boy
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When sung by female artists the song has often been rendered as "The Boy from Ipanema", such as by Peggy Lee (1964), Ella Fitzgerald (1965), Shirley Bassey (1966). Petula Clark sang it in 1977 on the The Muppet Show. Diana Krall recorded it on her 2009 album Quiet Nights.
- "The Girl From Ipanema". OldieLyrics. Retrieved 19 November 2009.
- "The Elusive Girl From Ipanema". The Wall Street Journal.
- "Latin GRAMMY Hall Of Fame".
- "The National Recording Registry 2004". Library of Congress.
- Cavalcanti, Paulo (2009). """As 100 Maiores Músicas Brasileiras - "Garota de Ipanema.
- DeMain, Bill (December 2006). """The Story Behind "The Girl From Ipanema. Performing Songwriter (98).
- Jobim, Tom (1962). "Garota de Ipanema". All of Tom's Music. Retrieved 11 Aug 2012.
- Castro, Ruy (2000). Bossa Nova: The Story of the Brazilian Music That Seduced the World. A Cappella. pp. 239–240.
- Rohter, Larry (August 11, 2001). "Ipanema Journal; Still Tall and Tan, a Muse Fights for a Title". The New York Times.
- Aith, Marcio (August 13, 2001). "Herdeiros de Ipanema querem destruir a poesia" (in Português). Folha Online.
- "The Girl From Ipanema". Stan-Shepkowski.Net.
- Oliveria v. Frito-Lay Inc., 251 F.3d 56 (2nd Cir. 2001).
- Vogel, Scott (August 10, 2008). """A cruise to meet the muse of "Girl From Ipanema. The Seattle Times.
- Full lyrics of this song at MetroLyrics
- The Girl from Ipanema chords for guitar